2023: Vol. 22, No. 2

By Zillah Eisenstein: Newest Misogyny/Ies

By Michael Ruse: Anti-Vaxxers And The Covid Crisis: The Sorry Story Of The Pernicious Influence Of A Pseudo-Science

By Rev. Matthew V. Johnson, Jr: A Letter Of Concern To Black Clergy Regarding “Cop City”

By Firoze Manji: Amílcar Cabral And The Politics Of Culture And Identity

By Andrew Feenberg: The “New” Lukács

By Bill Fletcher, Jr: The Continued Relevance Of W.E.B. Du Bois, Sixty Years On

By Philip Green: On Liberalism

By Benjamin Shepard: On Cities Of Friends And Riots: Between Conflict, Solidarity, And Struggles For Recognition

By Sabby Sagal: REVIEW ESSAY: Dostoevsky as Political Agitator: Alex Chistofi, Dostoevsky in Love: An Intimate Life (London: Bloomsbury, 2022)

By Mario Kessler: Susan Neiman, Left Is Not Woke. New York: Polity Press, 2023

By Warren Leming: Bob Dylan, The Philosophy of Modern Song (New York: Simon & Schuster 2022)

By Kurt Jacobsen: John Nichols, I Got Mine: Confessions of a Midlist Writer (Albuquerque: High Road Books, 2022)

By Aidan J. Beatty: Jo Guidi, The Long Land War: The Global Struggle for Occupancy Rights (New Haven: Yale University Press, 2022)

By Sarah Kamal: Eben Kirksey, The Mutant Project: Inside the Global Race to Genetically Modify Humans Bristol: Bristol University Press, 2021.

Latest Issue

2024: Vol. 23, No. 3

Artist: Drew Martin

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